秋天的橡樹(shù)景色Autumn Oaks_1878_喬治·英尼斯油畫(huà)作品欣賞。
這幅畫(huà)的構(gòu)圖是精心編排的,其統(tǒng)一和強(qiáng)調(diào)的效果是英尼斯早期作品所沒(méi)有的。很明顯,這幅畫(huà)是他在國(guó)外待了四年回國(guó)后畫(huà)的。他在意大利和法國(guó)的繪畫(huà)經(jīng)歷,使他從細(xì)節(jié)迥異的自然主義效果,轉(zhuǎn)向以單一主題為主、其他一切都是次要的連貫安排。在這里,被陽(yáng)光照射的樹(shù)木主宰著整個(gè)景觀(guān),它們的豐富性被陰影的前景和天空的藍(lán)紫色調(diào)所加強(qiáng)。
The composition of this picture is splendidly orchestrated, with a striking effect of unity and emphasis that did not exist in Inness's early works. He apparently painted this just after his return from four years abroad. His experience of painting in Italy and France led him away from naturalistic effects with much disparate detail toward coherent arrangements in which a single motif dominates, and everything else is subordinate. Here the sunlit trees dominate the entire landscape, their richness intensified by the deep foreground of shadow and blue violet tones of the lowering sky.