舞會之后情景,又名信心After the Ball_1874,aka Confidence_阿爾弗雷德·埃米爾·利奧波德·史蒂文斯油畫作品欣賞。
舞會之后這幅畫,也被稱為“信心”,是史蒂文斯處理安慰主題的幾幅作品之一。正如他在19世紀70年代的其他作品一樣,這封包含令人沮喪的消息的信中的軼事內(nèi)容,讓我們得以一窺巴黎時尚女性優(yōu)雅內(nèi)飾的生活。史蒂文斯的主題和他對當代服飾和裝飾的細致關(guān)注,讓人聯(lián)想到17世紀的荷蘭和佛蘭德藝術(shù);事實上,一位評論家稱他為法國的杰勒德·特爾·博奇。
This painting, also known as "Confidence," is one of several by Stevens to treat the theme of consolation. As in his other works from the 1870s, here the anecdotal content of a letter containing distressing news asserts itself in a glimpse of the life of fashionable Parisian women in their elegant interiors. Stevens' subject matter and his meticulous attention to contemporary dress and decor elicited analogies to seventeenth-century Dutch and Flemish art; in fact, one critic called him the Gerard ter Borch of France.